BIOoBIO
Primalno kriknuo u predgodinama R&R u fasadno oker rodilištu, Pula. Šesdesetih se počinje konkretnije bavitiARTom, skulpturom. Pošto su to čudne godine proširuje si vidike prolazeći kroz i miješajući medije. Ulazi u konceptualni krug i performance vode. Sedamdesetih s prijateljima stvara «mental spirit music» a u okružju specifične soc-pol-kult situacije i pod uticajem Beuysa otvara proces «Socijalne skulpture» Osamdesetih radi u alterrock grupi «GustapH y njegovi dobry duhovy» a njenim raspadom ostaje i dalje na sceni kao producent/koproducent, tehničar suradjujući s grupama/ projektima «Borgesia» , KUD Idijoti, «Messerschmitt» , te novim Pulskim početnicima. Uz to nastavlja svoj likovni dio i sprema vlastite projecte uz vanjsko članstvo u grupi SubVersIv.
Devedesetih se ponovno aktivira na rock sceni u projectu Zhel dok svoju davnu želju za spajanjem svih medija ostvaruje u medjunarodnim novomedijskim projektima : telephone koncert Netz/ Mreža, Radio ORF
( Crossover....), interNet M.M @ P, Moment in comunication......
Pritisnut specifičnim soc-pol-kult okruženjem reaktivira svoj rad na «Socijalnoj Skulpturi» iz prijelaza 70-ete/80-ete.
Novčeke je zaradjivao va TESU Uljanik, sad negdje u fusu, ideje pos-v-ud
Ponosni vlasnik rekorda o posjecenosti jednom dogadjanju/performanceu ( cca. 40000 posjetilaca, «Theater like a Life/Life like a Theater ili Zivot je feferon…» Pula/Cro a Ti
Sve ostale stupidece i stupidadjine mogu se otcitati i iscitavati u dnevnim, tjednim i periodicnim tiskovinama ovijeh prostora….
Uvršten u «Istarsku enciklopediju»…
¸He made his primal scream in the wake of R&R, in the maternity ward of Pula`s ocher painted fasade hospital.
Throught the Sixties he begins move intensely to deal with Art, sculpture mainly. In the strangeness of those years he broadens his horizons going through and mixing the media ; entering the conceptual circle and performance world too.
During the Seventies working together with friends he creates a “mental spirit music”. In the specific soc-pol-cultural surrounding and influenced by Beuyes he opens the process “Social Sculpture”
During the Eighties he works mit alter-rock band GNJDD .After the group disbanded Pino continues to work as a producer/coproducer and tehnician, collaborating with groups/projects as Borgesia, KUD Idijoti, Messerschmitt,and various Pula`s new bands
At same time he goes on with Art work doing his project with guest members from SubVersIv group.
During the Nineties he works again on rock scene in the project Zhel ,while his early desire to join together all the media he realise through internationalmnew media projects : telephone concerts Netz/Mreža, Radio ORF ( Crossover…), interNet M.M @ P, Moment in communication.
Under the presure of specific soc-pol-cultural surrounding he makes the comeback of the “Social Sculpture” from the Seventies.
Ideas and money he makes in TESU shipyard Uljanik – service.
I am the proud owner of the record visit of an event/perform ( cca.40,000 visitors «Theather like a Life/Life like a Theather or Zivot je feferon «…Pula/CRO
the FIRST and ONLY REAL VIRTUaLL ARTisT
... in the nature, on the Streets, everywhere the ARTs produces/cts ( He )
- without the atelier/ studio
- without the gallery
- without a place to practice
- without donation
- without financial heLP
- without car
- without motorcycle
without...without...without...
and many times without... but everything is here ...in the mind... in
conversation... sitting, drinking, coffe/tea and smoking cigarets...
- walkman
- on the seashore
on the Road |
